Harald Gaski (Romssa universitehta)<\/p>\n
Vie\u010d\u010da artihkkala d\u00e1s<\/a> (pdf).<\/p>\n So far, very little attention has been paid to Johan Turi\u2019s artworks. His pencil drawings have mostly been regarded as illustrations of his narrative, and have been characterized as naive expressions. No mention has been made of the other art that Turi created. Aside from the drawings that were included in the original edition of Turi\u2019s Muitalus s\u00e1miid birra<\/em> as edited by Emilie Demant-Hatt, virtually none of Turi\u2019s other pieces have ever been exhibited or published. They have gained visibility only through their inclusion in the anniversary edition of Muitalus<\/em>, which appeared in 2010. In this article, some of Turi\u2019s previously unknown artworks are interpreted as Turi\u2019s attempts at creating Expressionist art. Turi was introduced to various forms of modern art at Hjalmar Lundbohm\u2019s home in Kiruna, and also, most probably, while visiting Emilie Demant and Gudmund Hatt in Copenhagen in 1911. Turi\u2019s artworks are also interesting in the way in which Turi combines realistic representations with images that are either surreal or that expose more than the human eye can actually see. Turi\u2019s art transgresses the limits of photographic representation, and includes objects that are hidden from the human view. A major undertaking awaits art historians and indigenous methodologists to further analyze Johan Turi\u2019s artworks in their cultural and historical contexts.<\/p>\n","protected":false},"excerpt":{"rendered":" Dan maid \u010dalbmi ii oainne \u2013 Johan Turi \u010d\u00e1llima ja d\u00e1idaga erenoam\u00e1\u0161vuohta Harald Gaski (Romssa universitehta) Vie\u010d\u010da artihkkala d\u00e1s (pdf). What the eye can\u2019t see: On Johan Turi\u2019s subtle truth-telling in his images and art So far, very little attention has … Les videre What the eye can\u2019t see: On Johan Turi\u2019s subtle truth-telling in his images and art<\/em><\/h3>\n