Gunvor Guttorm (S\u00e1mi allaskuvla)<\/p>\n
Vie\u010d\u010da artihkkala d\u00e1s<\/a> (pdf).<\/p>\n D\u00e1t artihkal lea vuo\u0111\u0111uduvvon duodjeovd\u00e1nahttinpro\u0161ektii, maid lean \u010da\u0111ahan S\u00e1mi allaskuvllas jagiid 2010\u20132012, ja mii de lea oassi empiriijas. B\u00e1ikkit, \u00e1vdnasat ja mu\u0111ui v\u00e1s\u00e1husat mat bohtet muitui, leat g\u00e1vnnadeamit mat buktet bohtosiid, ja dat s\u00e1httet leat \u00e1ibbas ear\u00e1 go dat maid lei \u00e1lgo\u00e1lggus jurdda\u0161an duddjot. D\u00e1t g\u00e1vnnadeamit leat ruma\u0161la\u010d\u010dat. Artihkkala \u010duolbma lea mo duddjon ja duoj\u00e1ra v\u00e1s\u00e1husat deaivvadit ja mii dan deaivvadeamis lea boa\u0111usin. Lean geavahan Merleau-Ponty (1994, 2012 (1962)) \u010d\u00e1llosiid ruma\u0161la\u0161 fenomenologiija birra go lean geah\u010d\u010dalan \u00e1ddet mii lea su mielas ruma\u0161la\u0161 v\u00e1s\u00e1hus dahje eallinm\u00e1ilmmi gamus dovdan, ja suokkardalan dan ektui mo ie\u017ean duddjonv\u00e1s\u00e1husaid s\u00e1htt\u00e1 \u010dilget fenomenologala\u0161 lahkonanvugiin.<\/p>\n <\/p>\n This article is based on a research and development project conducted at the S\u00e1mi University College from 2010 to 2012. The artistic part of the project forms part of the empirical data in this article.<\/p>\n Production of knowledge is a crucial aspect of the discussion on a starting point for the development of indigenous methodologies. This article deals with the possible approaches to an artistic investment within duodji<\/em> (S\u00e1mi arts and crafts). At the development stage, I started with the idea of using young birch trees in a design process. I examine this process employing a phenomenological approach which proves useful when discussing the S\u00e1mi and the indigenous perspective.<\/p>\n The challenge that researchers face is to consider that elements of the empirical material form part of the overall research material. Locations, materials and experiences are all crucial to the artistic result, which is often different from the initial idea.<\/p>\n The research deals with the question of how the creative process and the artist\u2019s experiences meet and what this meeting leads to in terms of artistic outcome. Just like other research in artistic work, with emphasis on artistic activity and theoretical analysis, research on duodji<\/em> can be a challenge, as researcher and practitioner are one and the same person. Research that includes artistic activity describes the researcher\u2019s experience and understanding from first person point of view, and as such, the phenomenological approach provides a good basis.<\/p>\n When elaborating on the world of life and bodily experience, my basis is Merleau-Ponty\u2019s interpretation of bodily phenomenology (Merleau-Ponty 1994, 2012 (1962)). This I transfer to my own creative experience.<\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" L\u00e1nj\u00e1id stellen \u2013 duddjoma ovd\u00e1nahttinbargu fenomenologala\u0161 geah\u010dastagas Gunvor Guttorm (S\u00e1mi allaskuvla) Vie\u010d\u010da artihkkala d\u00e1s (pdf). D\u00e1t artihkal lea vuo\u0111\u0111uduvvon duodjeovd\u00e1nahttinpro\u0161ektii, maid lean \u010da\u0111ahan S\u00e1mi allaskuvllas jagiid 2010\u20132012, ja mii de lea oassi empiriijas. B\u00e1ikkit, \u00e1vdnasat ja mu\u0111ui v\u00e1s\u00e1husat mat bohtet … Les videre Of young birch \u2013 <\/em>duodji research and artistic work in a phenomenological perspective<\/em><\/h3>\n