Sigga-Marja Magga (Oulu universitehta)<\/p>\n
Vie\u010d\u010da artihkkala d\u00e1s<\/a> (pdf).<\/p>\n Gie\u0111ahalan duoji sosi\u00e1la kontrolla duoj\u00e1riid v\u00e1s\u00e1hussan. Duoji sosi\u00e1la kontrolla lea s\u00e1mi servodaga vuohki buvttadit ja doalahit duodjenorpmaid \u2013 servodaga oktasa\u0161 oainnuid duodje\u00e1rbevierus. Geah\u010dastagaiguin kontrollerejit duoj\u00e1ra sosi\u00e1la ja kultuvrrala\u0161 d\u00e1idduid, mat dutkamu\u0161as gullet oktii duddjond\u00e1idduiguin. Olggu\u0161teapmi fas sirre duoj\u00e1ra dahje su dujiid normatiiva duodje\u00e1ddejumi olggobeall\u00e1i. Albma duoji norbma mero\u0161tall\u00e1 makk\u00e1r duodji galg\u00e1 leat. D\u00e1kk\u00e1r d\u00e1hp\u00e1husain duoj\u00e1r galg\u00e1 juoga l\u00e1dje \u010dilget ja legitimeret ie\u017eas kultuvrrala\u0161 m\u00e1htuid. Duoj\u00e1rat huksejit kontrolla ektui vuostef\u00e1mu mii lea ealli s\u00e1mi kultuvrra eaktu. Duoji sosi\u00e1la kontrolla add\u00e1 maid duoj\u00e1riidda sign\u00e1laid das ahte sii gullet s\u00e1meservodahkii vaikko oro\u0161edje s\u00e1mi guovllu olggobealde.<\/p>\n F\u00e1dd\u00e1s\u00e1nit: sosi\u00e1la kontrolla, duodji, norbma, geah\u010dastat, olggu\u0161teapmi<\/p>\n <\/p>\n The gaze, shunning and demand of proper duodji \u2013 the control of duodji as experienced by Saami craft workers<\/em><\/p>\n This article explores the ways in which Saami craft workers experience the control of duodji <\/em>(Saami crafts) and what this control means to the Saami community. The term duodji <\/em>refers to clothes, different kinds of utensils, jewelry, etc. and is a very old tradition among the Saami. Duodji includes a great deal of norms and rules that the Saami communities maintain and control. Craft workers learn to pay heed to this control. The research material in this article is based on three seminar speeches held in 2009 on Saami National Day.<\/p>\n The focus of this article is on the ways in which the Saami control the norms of duodji. One of these is geah\u010dastat<\/em>, the gaze, which the craft worker feels on their cheeks or back. Craftsmanship is a highly distinguished skill, especially among Saami women. This silent look controls (especially female) craft workers\u2019 Saami cultural and social skills. It contributes to how well the artisan is able to fulfill both practical and communicative needs of the Saami community.<\/p>\n The other way of controlling duodji norms is olggu\u0161teapmi<\/em>, shunning. Shunning can manifest itself in the renaming of duodji with a name that categorizes it outside the traditional duodji. Terminology in Saami relating to duodji is very rich, revolving around the materials but also the processes of the developing duodji. Shunning is rather a harsh form of control, as it has the power of making the craft worker subjected to shunning feel otherness in relation to their society. However, Keywords: social control, duodji, norm, gaze, shunning<\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" Geah\u010dastagat, olggu\u0161teapmi ja albma duoji g\u00e1ib\u00e1dus \u2013 duodjekontrolla duoj\u00e1riid v\u00e1s\u00e1hussan Sigga-Marja Magga (Oulu universitehta) Vie\u010d\u010da artihkkala d\u00e1s (pdf). Gie\u0111ahalan duoji sosi\u00e1la kontrolla duoj\u00e1riid v\u00e1s\u00e1hussan. Duoji sosi\u00e1la kontrolla lea s\u00e1mi servodaga vuohki buvttadit ja doalahit duodjenorpmaid \u2013 servodaga oktasa\u0161 oainnuid duodje\u00e1rbevierus. … Les videre
\nthe control of duodji is not only a negative experience. It can be an indicator of belonging to the Saami community. As long as craft workers experience some kind of control by their fellow Saami, it reasserts their sense of belonging to the Saami community.<\/p>\n