{"id":3356,"date":"2022-02-22T08:31:20","date_gmt":"2022-02-22T07:31:20","guid":{"rendered":"https:\/\/site.uit.no\/aigecala\/?p=3356"},"modified":"2022-02-22T09:34:49","modified_gmt":"2022-02-22T08:34:49","slug":"sda-2021-gunvor-guttorm","status":"publish","type":"post","link":"https:\/\/site.uit.no\/aigecala\/sda-2021-gunvor-guttorm\/","title":{"rendered":"SD\u00c1 2021: Gunvor Guttorm"},"content":{"rendered":"<h2>Rupma\u0161a lihkadeapmi \u2013 duddjoma ja v\u00e1s\u00e1husa estehtala\u0161 mearkka\u0161upmi<\/h2>\n<p>Gunvor Guttorm (S\u00e1mi allaskuvla)<\/p>\n<p>Vie\u010d\u010da artihkkala: <a href=\"https:\/\/site.uit.no\/aigecala\/wp-content\/uploads\/sites\/8\/2022\/02\/SDA-2021-guttorm.pdf\" target=\"_blank\" rel=\"noopener\">Rupma\u0161a lihkadeapmi \u2013 duddjoma ja v\u00e1s\u00e1husa estehtala\u0161 mearkka\u0161upmi<\/a> (pdf).<\/p>\n<p>Duddjon lea doaibma mas duoj\u00e1r geavaha ie\u017eas m\u00e1htuid maid lea oahppan, v\u00e1s\u00e1husaid bokte, duddjodettiin ja go lea h\u00e1rj\u00e1nan geavahit duoji. Go geah\u010d\u010dat mo duodji lea \u00e1ddejuvvon s\u00e1miid gaskkas, de doaimmat ja dagut h\u00e1bmejit muhtun muddui dan mo oaidnit duoji estehtala\u0161 beliid. D\u00e1n artihkkalis diga\u0161talan mo dagut, v\u00e1s\u00e1husat ja lihkastagat v\u00e1ikkuhit duddjoma estetihkkii. S\u00e1megielas leat doahpagat maid vuo\u0111ul s\u00e1htt\u00e1 \u00e1ddet dan maid omd. <em>vuogas<\/em>, <em>cieggat varrii<\/em> ja <em>gamus dovdan<\/em> s\u00e1httet mearkka\u0161it. Go duojis lea s\u00e1hka, de dat lea oassin olbmuid eallimis, iige sirrejuvvon eret das. Muitu, ja \u010diek\u014balis muitu duddjomis, leat rupma\u0161is, ja mii duddjot buoridan dihtii d\u00e1vviriid ja oa\u017e\u017eut maid buorre dili. Olmmo\u017ein mii lihkadit m\u00e1\u014bggal\u00e1gan v\u00e1s\u00e1husaid siskkobealde, sihke jurdagiin ja ruma\u0161la\u0161 sirdimis. Dakk\u00e1r beliid oaidn\u00e1 maidd\u00e1i duoji oktavuo\u0111as.<\/p>\n<p>Artihkkalis geah\u010dan mo mii duddjodettiin geavahat rupma\u0161a, ja mo dat v\u00e1ikkuha olles duoj\u00e1rii. Geah\u010dan \u00e1lggus duddjoma \u00e1rgabeaivvi dilis, ja dasto mo das s\u00e1ht\u00e1\u0161ii hukset \u00e1ddejumi s\u00e1mi ja duoji estetihkas, ja mo d\u00e1t heive ear\u00e1 eami\u00e1lbmotestetihkkas\u00e1gastallami idda. Geavahan duddjonovdamearkkaid maid ie\u0161 lean ja ear\u00e1 duoj\u00e1rat leat v\u00e1sihan. Dasto iskkan pragm\u00e1htala\u0161 ja ruma\u0161estehtala\u0161 lahkonanvugiin mo dahku ja ruma\u0161la\u0161 lihkadeami v\u00e1ikkuha duddjomii ja olbmui.<\/p>\n<p><strong>F\u00e1dd\u00e1s\u00e1nit<\/strong>: duddjon, duoj\u00e1r, v\u00e1s\u00e1hus, pragmatisma, somaestetihkka, lihkadeapmi<\/p>\n<h3><strong>The moving body \u2013 the aesthetic significance of <em>duodji<\/em> and experience<\/strong><\/h3>\n<p><em>Duodji<\/em> is a task where the craftsperson uses the knowledge that s\/he has acquired as well as experiences from prior work on and use of duodji. Considering how duodji is understood among the Sami people, these activities will to some extent shape their understanding of aesthetics. In this article I discuss how duddjon activities, experiences, and movements affect our understanding of aesthetics in duodji. In the Sami language, there are terms that convey an understanding of what this means through concepts like <em>vuogas<\/em> (pleasant), and the expressions <em>cieggat varrii<\/em> (enter into the veins) and <em>gamus dovdan<\/em> (instinctive feeling). When we talk about duodji, it is part of people\u2019s everyday life, not a separate activity. Deep memory resides in the body, and we make duodji to improve our possessions and our way of life. As human beings, we move through a multitude of experiences, both in mind and body. This is also true for duodji.<\/p>\n<p>In the article I elaborate how we use our body while creating duodji, and how this experience affects the craftsperson. Firstly, I look at duddjon (the act of creation) in an everyday context, and then I address the aesthetic understanding one can find within duodji, and how this in turn can be understood in a wider indigenous context. I present examples from my own and others\u2019 experiences of duddjon practices. By using a pragmatic and somatic aesthetic approach, I discuss how the creative process and the movements of the body affect both the duddjon and the duoj\u00e1r (the creator of duodji).<\/p>\n<p><strong>Keywords<\/strong>: duddjon, duoj\u00e1r, experience, pragmatism, somatic aesthetics, movement<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rupma\u0161a lihkadeapmi \u2013 duddjoma ja v\u00e1s\u00e1husa estehtala\u0161 mearkka\u0161upmi Gunvor Guttorm (S\u00e1mi allaskuvla) Vie\u010d\u010da artihkkala: Rupma\u0161a lihkadeapmi \u2013 duddjoma ja v\u00e1s\u00e1husa estehtala\u0161 mearkka\u0161upmi (pdf). Duddjon lea doaibma mas duoj\u00e1r geavaha ie\u017eas m\u00e1htuid maid lea oahppan, v\u00e1s\u00e1husaid bokte, duddjodettiin ja go lea &hellip; <a href=\"https:\/\/site.uit.no\/aigecala\/sda-2021-gunvor-guttorm\/\">Les videre <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":91,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[142],"tags":[282,283,287,285,286,284],"class_list":["post-3356","post","type-post","status-publish","format-standard","hentry","category-artihkkalat","tag-duddjon","tag-duojar","tag-lihkadeapmi","tag-pragmatisma","tag-somaestetihkka","tag-vasahus"],"_links":{"self":[{"href":"https:\/\/site.uit.no\/aigecala\/wp-json\/wp\/v2\/posts\/3356","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/site.uit.no\/aigecala\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/site.uit.no\/aigecala\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/site.uit.no\/aigecala\/wp-json\/wp\/v2\/users\/91"}],"replies":[{"embeddable":true,"href":"https:\/\/site.uit.no\/aigecala\/wp-json\/wp\/v2\/comments?post=3356"}],"version-history":[{"count":4,"href":"https:\/\/site.uit.no\/aigecala\/wp-json\/wp\/v2\/posts\/3356\/revisions"}],"predecessor-version":[{"id":3368,"href":"https:\/\/site.uit.no\/aigecala\/wp-json\/wp\/v2\/posts\/3356\/revisions\/3368"}],"wp:attachment":[{"href":"https:\/\/site.uit.no\/aigecala\/wp-json\/wp\/v2\/media?parent=3356"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/site.uit.no\/aigecala\/wp-json\/wp\/v2\/categories?post=3356"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/site.uit.no\/aigecala\/wp-json\/wp\/v2\/tags?post=3356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}