{"id":353,"date":"2025-07-20T14:34:30","date_gmt":"2025-07-20T12:34:30","guid":{"rendered":"https:\/\/site.uit.no\/rescape\/?page_id=353"},"modified":"2025-07-24T14:35:17","modified_gmt":"2025-07-24T12:35:17","slug":"theory-in-practice","status":"publish","type":"page","link":"https:\/\/site.uit.no\/rescape\/theory-in-practice\/","title":{"rendered":"Theory in Practice"},"content":{"rendered":"\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>Corpuses of knowledge are increasingly presented multimodally, yet their interrelations are rarely researched multimodally. By making use of space-time-matter cuts we explore new forms of generating and mediating knowledge through materialized artistic practices.\u00a0 Creating what we call\u00a0<em>dramatic assemblages<\/em>\u00a0makes it possible to handle our material differently, to give a voice to who\/what has not been heard so far, and to create new modes of listening. We have experienced that RESCAPE engages audiences in novel ways, enhances people\u2019s understanding of normative complexities, and creates new questions. In the dramatic assemblage, we make use of co-creativity, playfulness, fiction, everyday life experiences, and imagination.\u00a0 <\/p>\n\n\n\n<p>(From: Haselmann, L., Klok, J., &amp; Mittner, L. (2021). Autumn Talk and Ocean Songs. Dramatic Assemblage \u2013 Methods and Relevance of Performative Historiography. In A. Langenbruch, D. Samaga, &amp; C. Schupp-Maurer (Eds.), <em>Musikgeschichte auf der B\u00fchne\u2014Performing Music History<\/em> (pp. 375\u2013398). transcript Verlag. <a href=\"https:\/\/www.degruyter.com\/document\/doi\/10.1515\/9783839457467-021\/html\">https:\/\/www.degruyter.com\/document\/doi\/10.1515\/9783839457467-021\/html<\/a>)<\/p>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Corpuses of knowledge are increasingly presented multimodally, yet their interrelations are rarely researched multimodally. By making use of space-time-matter cuts we explore new forms of generating and mediating knowledge through materialized artistic practices.\u00a0 Creating what we call\u00a0dramatic assemblages\u00a0makes it possible to handle our material differently, to give a voice to who\/what has not been heard [&hellip;]<\/p>\n","protected":false},"author":746,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-353","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/site.uit.no\/rescape\/wp-json\/wp\/v2\/pages\/353","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/site.uit.no\/rescape\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/site.uit.no\/rescape\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/site.uit.no\/rescape\/wp-json\/wp\/v2\/users\/746"}],"replies":[{"embeddable":true,"href":"https:\/\/site.uit.no\/rescape\/wp-json\/wp\/v2\/comments?post=353"}],"version-history":[{"count":3,"href":"https:\/\/site.uit.no\/rescape\/wp-json\/wp\/v2\/pages\/353\/revisions"}],"predecessor-version":[{"id":375,"href":"https:\/\/site.uit.no\/rescape\/wp-json\/wp\/v2\/pages\/353\/revisions\/375"}],"wp:attachment":[{"href":"https:\/\/site.uit.no\/rescape\/wp-json\/wp\/v2\/media?parent=353"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}