{"id":57,"date":"2019-06-18T23:06:47","date_gmt":"2019-06-18T21:06:47","guid":{"rendered":"https:\/\/site.uit.no\/rescape\/?page_id=57"},"modified":"2026-01-24T14:37:58","modified_gmt":"2026-01-24T13:37:58","slug":"publications","status":"publish","type":"page","link":"https:\/\/site.uit.no\/rescape\/publications\/","title":{"rendered":"Output"},"content":{"rendered":"<div class=\"csl-bib-body\">\n<h3><strong>Publications<\/strong><\/h3>\n<ol>\n<li>Mittner, L., Haselmann, L. &amp; Klok, J. (2023). Praktische und theoretische Perspektiven auf k\u00fcnstlerische und akademische Mobilit\u00e4t. In: <em style=\"font-size: 1rem\">Kulturelles Handeln | Macht | Mobil. Interdisziplin\u00e4re\u00a0Studien zur gender- und musikbezogenen Mobilit\u00e4tsforschung.\u00a0<\/em><span style=\"font-size: 1rem\">Metzler, 85-102<\/span><\/li>\n<li>\n<div class=\"csl-bib-body\">\n<div class=\"csl-entry\">Haselmann, L., Klok, J., &amp; Mittner, L. (2021). Autumn Talk and Ocean Songs. Dramatic Assemblage \u2013 Methods and Relevance of Performative Historiography. In A. Langenbruch, D. Samaga, &amp; C. Schupp-Maurer (Eds.), <i>Musikgeschichte auf der B\u00fchne\u2014Performing Music History<\/i> (pp. 375\u2013398). transcript Verlag. <a href=\"https:\/\/www.degruyter.com\/document\/doi\/10.1515\/9783839457467-021\/html\">https:\/\/www.degruyter.com\/document\/doi\/10.1515\/9783839457467-021\/html<\/a><\/div>\n<\/div>\n<\/li>\n<li>Mittner, L., &amp; Wagner, G. (2020). Den Norden lesen: Erinnerungen, Wahrnehmungen und Bedeutungen im interdisziplin\u00e4ren Dialog. <i>Nordlit<\/i>, <i>46<\/i>, 52\u201372 <a href=\"https:\/\/doi.org\/10.7557\/13.5657\">https:\/\/doi.org\/10.7557\/13.5657<\/a><\/li>\n<li class=\"csl-entry\">Haselmann, L., Klok, J., &amp; Mittner, L. (2019). <a href=\"https:\/\/www.ni.hu-berlin.de\/de\/publ\/publikationsreihen\/berliner_beitraege\/bbzs-c\/#band-25\"><i>\u00bbDat soll auch nicht jehen, dat soll fahren.\u00ab\u202fNorwegische K\u00fcnstlerinnen in Berlin<\/i><\/a>. Berlin: Nordeuropa-Institut der Humboldt-Universit\u00e4t.<\/li>\n<li class=\"csl-entry\">Klok, J., Haselmann, L., &amp; Mittner, L. (2017). Booklet zur CD <i style=\"font-size: 1rem\"><a href=\"https:\/\/www.udk-berlin.de\/universitaet\/betont-das-label-der-udk-berlin\/katalog\/klassik-betont\/rastlose-lieder-werke-norwegischer-komponistinnen\/\">Rastlose Lieder. Signe Lund &#8211; Mon Schjelderup &#8211; Agathe Backer Gr\u00f8ndahl. Lieder, Klavier- und Kammermusikwerke norwegischer Komponistinnen.<\/a> CD<\/i><span style=\"font-size: 1rem\">. betont Label der Universit\u00e4t der K\u00fcnste Berlin.<\/span><\/li>\n<\/ol>\n<\/div>\n<div>\n<h3><strong>Lectures, Posters, Presentations<\/strong><\/h3>\n<\/div>\n<div class=\"csl-bib-body\">\n<div class=\"csl-entry\">\n<div class=\"csl-bib-body\">\n<div class=\"csl-bib-body\">\n<ol>\n<li class=\"csl-entry\">Mittner, L., Klok, J., &amp; Haselmann, L. (2025). <i>RESCAPE: A feminist method or applied feminist philosophy?<\/i> <a href=\"https:\/\/nva.sikt.no\/registration\/019bf02d1075-dec17336-8adf-49aa-be90-60d0b7fa8afd\">https:\/\/nva.sikt.no\/registration\/019bf02d1075-dec17336-8adf-49aa-be90-60d0b7fa8afd<\/a><\/li>\n<li><span style=\"font-size: 1rem\">Prof. Dr. Lena Haselmann-Kr\u00e4nzle\/Stefanie Dzjubak, Posterpr\u00e4sentation, Symposium: \u201eGender, Musik und \u00d6ffentlichkeit. Wissenschaftskommunikation in der musikwissenschaftlichen Genderforschung. 07.010.2025 im Rahmen der Gfm-Jahrestagung 2025.<\/span><\/li>\n<li>RESCAPE &#8211; <em style=\"font-size: revert\">A feminist method or applied feminist theory? Across space, time and matter<\/em><span style=\"font-size: revert\">, International conference Feminist Philosohoes and Methods, UiT The Arctic University of Norway,October 23th 2025 <\/span><\/li>\n<li>March 26th 2025 &#8216;<em style=\"font-size: revert\">In het Zwaluwhuis &#8211; <\/em><span style=\"font-size: revert\">Over cultuurbemiddeling en muziek \u2013 twee actieve Groningse Betsy\u2019s. Lecture University of Groningen. [by <\/span><span class=\"outlook-search-highlight\" style=\"font-size: revert\" data-markjs=\"true\">Janke Klok<\/span><span style=\"font-size: revert\">]<\/span><\/li>\n<li><i style=\"font-size: 1rem\">Feminist theory in practice. RESCAPE as a method for performative historiography<\/i><span style=\"font-size: 1rem\"> [Nina Grieg 175! International research seminar. On the occasion of the Nina Grieg 175 celebration, arranged by KODE Composer Homes 20 &#8211; 24 November, the Grieg Research Centre arranges an international research seminar on the topic \u201cWomen in music history, musical heritage and gender perspectives\u201d.]. <\/span><a style=\"font-size: 1rem\" href=\"https:\/\/www.uib.no\/griegforskning\/149641\/nina-grieg-175-international-research-seminar\">https:\/\/www.uib.no\/griegforskning\/149641\/nina-grieg-175-international-research-seminar<\/a><\/li>\n<li><i style=\"font-size: revert\">Kvinner i musikken\u2014En konferanse med fokus p\u00e5 likestilling i kunstarten<\/i><span style=\"font-size: revert\">. (28.4.2020)\u00a0<\/span><a style=\"font-size: revert\" href=\"https:\/\/www.youtube.com\/watch?v=4JAzcCk4t1A\">https:\/\/www.youtube.com\/watch?v=4JAzcCk4t1A<\/a><\/li>\n<li><a style=\"font-size: revert\" href=\"https:\/\/www.hs-osnabrueck.de\/veranstaltungen\/2020\/10\/ifm-educating-artists-ringvorlesung-ws-20-21-1-2\/\">&#8216;Sichtbar machen&#8217;<\/a><span style=\"font-size: revert\">, Vorlesung im Rahmen der Ringvorlesung Educating Artist, Osnarbr\u00fcck, 28. Oktober 2020<\/span><\/li>\n<li><a style=\"font-size: revert\" href=\"https:\/\/site.uit.no\/rescape\/wp-content\/uploads\/sites\/421\/2021\/11\/RESCAPE_NMH.pdf\">\u00a0<i>RESCAPE: Research \u2013 Education \u2013 Sources\u2014Creativity \u2013 Arts \u2013 Performances- Engagement.\u00a0 Metodediskusjon i (musikk)historisk forskning.<\/i><\/a><span style=\"font-size: revert\"> The Norwegian Academy of Music History Project. (22.4.20020)<\/span><\/li>\n<li>&#8216;Dramatische Montage als wissenschaftliche Methode? Zur Performance historischer Quellen&#8217; at the workshop &#8216;Musikgeschichte auf der B\u00fchne. Performing Music History&#8217; 9-11 Mai 2019 Carl von Ossietzky Universit\u00e4t Oldenburg<\/li>\n<li>Dat soll auch nicht jehen dat soll fahren. <i style=\"font-size: 1rem\">Closing event of the Henrik-Steffens lecture series at the Royal Norwegian Embassy, Felleshus Berlin<\/i><span style=\"font-size: 1rem\">.\u00a014. Februar 2017\u00a0<\/span><a style=\"font-size: 1rem\" href=\"https:\/\/www.nordischebotschaften.org\/veranstaltungen\/dat-soll-auch-nicht-jehen-dat-soll-fahren\">https:\/\/www.nordischebotschaften.org\/veranstaltungen\/dat-soll-auch-nicht-jehen-dat-soll-fahren<\/a><\/li>\n<\/ol>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<h3><strong>Other<\/strong><\/h3>\n<p>Repertoire auf der CD <i style=\"font-size: 1rem\"><a href=\"https:\/\/www.udk-berlin.de\/universitaet\/betont-das-label-der-udk-berlin\/katalog\/klassik-betont\/rastlose-lieder-werke-norwegischer-komponistinnen\/\">Rastlose Lieder. Signe Lund &#8211; Mon Schjelderup &#8211; Agathe Backer Gr\u00f8ndahl. Lieder, Klavier- und Kammermusikwerke norwegischer Komponistinnen.<\/a> CD<\/i><span style=\"font-size: 1rem\">. betont Label der Universit\u00e4t der K\u00fcnste Berlin.<\/span><\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone size-full wp-image-219\" src=\"https:\/\/site.uit.no\/rescape\/wp-content\/uploads\/sites\/421\/2022\/11\/Screenshot-2022-11-25-at-00.05.51.png\" alt=\"\" width=\"1202\" height=\"1120\" srcset=\"https:\/\/site.uit.no\/rescape\/wp-content\/uploads\/sites\/421\/2022\/11\/Screenshot-2022-11-25-at-00.05.51.png 1202w, https:\/\/site.uit.no\/rescape\/wp-content\/uploads\/sites\/421\/2022\/11\/Screenshot-2022-11-25-at-00.05.51-300x280.png 300w, https:\/\/site.uit.no\/rescape\/wp-content\/uploads\/sites\/421\/2022\/11\/Screenshot-2022-11-25-at-00.05.51-1024x954.png 1024w, https:\/\/site.uit.no\/rescape\/wp-content\/uploads\/sites\/421\/2022\/11\/Screenshot-2022-11-25-at-00.05.51-768x716.png 768w, https:\/\/site.uit.no\/rescape\/wp-content\/uploads\/sites\/421\/2022\/11\/Screenshot-2022-11-25-at-00.05.51-624x581.png 624w\" sizes=\"(max-width: 1202px) 100vw, 1202px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Publications Mittner, L., Haselmann, L. &amp; Klok, J. (2023). Praktische und theoretische Perspektiven auf k\u00fcnstlerische und akademische Mobilit\u00e4t. In: Kulturelles Handeln | Macht | Mobil. Interdisziplin\u00e4re\u00a0Studien zur gender- und musikbezogenen Mobilit\u00e4tsforschung.\u00a0Metzler, 85-102 Haselmann, L., Klok, J., &amp; Mittner, L. (2021). Autumn Talk and Ocean Songs. Dramatic Assemblage \u2013 Methods and Relevance of Performative Historiography. In [&hellip;]<\/p>\n","protected":false},"author":746,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-57","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/site.uit.no\/rescape\/wp-json\/wp\/v2\/pages\/57","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/site.uit.no\/rescape\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/site.uit.no\/rescape\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/site.uit.no\/rescape\/wp-json\/wp\/v2\/users\/746"}],"replies":[{"embeddable":true,"href":"https:\/\/site.uit.no\/rescape\/wp-json\/wp\/v2\/comments?post=57"}],"version-history":[{"count":3,"href":"https:\/\/site.uit.no\/rescape\/wp-json\/wp\/v2\/pages\/57\/revisions"}],"predecessor-version":[{"id":480,"href":"https:\/\/site.uit.no\/rescape\/wp-json\/wp\/v2\/pages\/57\/revisions\/480"}],"wp:attachment":[{"href":"https:\/\/site.uit.no\/rescape\/wp-json\/wp\/v2\/media?parent=57"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}