{"id":125,"date":"2022-02-11T14:47:52","date_gmt":"2022-02-11T14:47:52","guid":{"rendered":"https:\/\/site.uit.no\/vow\/?page_id=125"},"modified":"2024-10-12T09:09:21","modified_gmt":"2024-10-12T09:09:21","slug":"output-2","status":"publish","type":"page","link":"https:\/\/site.uit.no\/vow\/output-2\/","title":{"rendered":""},"content":{"rendered":"<h3><\/h3>\n<h3>Conferences and Multiplier events<\/h3>\n<ul>\n<li><a href=\"https:\/\/uit.no\/tavla\/artikkel\/819038\/listening_to_the_unknown_erasmus_multiplier_eve\">Voices of Women: Listening to the unknown<\/a>, UiT The Arctic University of Norway,\u00a0 Troms\u00f8 19-25 nov. 2023<\/li>\n<li class=\"x_MsoNormal\"><a class=\"customize-unpreviewable\" href=\"https:\/\/www.hfm-weimar.de\/hochschule\/internationales\/internationale-kooperationsprojekte\">Voices of Women. International Conference. Komponistinnen in Geschichte und Gegenwart, Weimar (20-24 June 2023):\u00a0<\/a><\/li>\n<li><a href=\"https:\/\/www.rug.nl\/research\/icog\/research\/conferences\/vow-conference\/programme\/vow-program-final.pdf\">Voices of Women: Materialities, Cultural Transfer and Musical Authorship,<\/a> December 1st and 2nd, 2022 University of Groningen, and the Prince Claus Conservatory (Organized by Kristin McGee, Janke Klok, Petra Broomans, and Caroline van Wijngaarden<\/li>\n<li>Weimar (10-13 April 2024):<a href=\"https:\/\/www.hfm-weimar.de\/securedl\/sdl-eyJ0eXAiOiJKV1QiLCJhbGciOiJIUzI1NiJ9.eyJpYXQiOjE3MTI3NjgzMzEsImV4cCI6MTcxMjk0NDczMSwidXNlciI6MCwiZ3JvdXBzIjpbMCwtMV0sImZpbGUiOiJmaWxlYWRtaW4vdXNlcl91cGxvYWQvVmVyYW5zdGFsdHVuZ2VuL1ZPV19GbHllcl9XZWltYXJfMjAyNC5wZGYiLCJwYWdlIjoxNzEzMX0.vpwJhgXdvYXeZOyK9Dvf_oOw5DSpUZZMoYoUEotnAdU\/VOW_Flyer_Weimar_2024.pdf\">\u00a0International conference to strengthen the female presence in the music world<\/a><\/li>\n<li>Stavanger (9-11 Oct 2024):\u00a0<a href=\"https:\/\/www.uis.no\/en\/student\/events\/voices-of-women-vow-conference-program-oct-9th-11th\">Voices of Women \u2013 Unheard Voices\u201d International Conference<\/a><\/li>\n<\/ul>\n<p><span style=\"font-size: 1.125rem\">Masterclasses<\/span><\/p>\n<ul>\n<li><a href=\"https:\/\/uit.no\/tavla\/artikkel\/830965\/masterclass_med_bettina_smith\">Masterclass\u00a0with Bettina Smith\u00a0<\/a>at the Academy of Music, Konsertsalen, 22\/11\/2023<\/li>\n<li>\u00a0<a href=\"https:\/\/uit.no\/tavla\/artikkel\/831170\/mesterklasse_med_anne-lise_sollied\">Digital masterclass\u00a0with Anne-Lise Sollied<\/a> at the Academy of Music, Konsertsalen 23\/11\/2023<\/li>\n<li class=\"p1\">Women\u2019s Voices in Jazz (led by Francien van Tuinen), Groningen, 01\/12\/2022<\/li>\n<li class=\"p1\">Women Composers in Classical Music (led by Bettina Smith, Lena Haselmann, and Friederike Wildschu\u0308tz), Groningen, 01\/12\/2022<\/li>\n<li>Masterclasses (led by Bettina Smith, Friederikke Wildsch\u00fctz, Anne-Liese Sollied, Lena Haselmann), Stavanger, 23\/06\/2022<\/li>\n<\/ul>\n<h3>Concerts<\/h3>\n<ul>\n<li><a href=\"https:\/\/uit.no\/tavla\/artikkel\/830823\/konsert_-_voices_of_women\">Konsert i\u00a0<\/a><a href=\"https:\/\/uit.no\/tavla\/artikkel\/830823\/konsert_-_voices_of_women\">R\u00f8dbankens Festsal\u00a0<\/a>(streaming via\u00a0<a href=\"https:\/\/www.youtube.com\/@musikkonservatorietitroms4175\">Youtube<\/a>), Troms\u00f8, 23.11.2023<\/li>\n<li>Smith, Bettina &amp; Jan Willem Nelleke (2022). Lied recital of works by women composers <a href=\"https:\/\/ilfz.nl\/dvhl\/\">The International Lied Festival in Zeist, the Netherlands, Bettina Smith \u2013 mezzo-soprano &amp; Jan Willem Nelleke \u2013 piano<\/a><\/li>\n<li class=\"p1\"><i>Bettina Smith, Lise K. Meling and Lena Haselmann (2022). Into the Unknown: Duets for Mezzo Sopranos<\/i><i> Groningen, A-Kerk, 02\/12\/2022 (Julie Pinel \u201cBrunette a deux dessus\u201d; Barbara Strozzi \u201cDialogo in partenza (Anima del mio core)\u201d, \u201cSonetto proemio dell`opera (Merc\u00e9 di voi)\u201d<\/i><\/li>\n<li class=\"p1\"><a href=\"https:\/\/site.uit.no\/vow\/wp-content\/uploads\/sites\/481\/2023\/01\/Dagblad-van-het-Noorden.pdf\">Final Concert \u2013 Students and Teachers of the Masterclass Prince Claus Conservatorium<\/a>, 03\/12\/2022<\/li>\n<li><a href=\"https:\/\/site.uit.no\/vow\/wp-content\/uploads\/sites\/481\/2023\/01\/Program-avslutningskonsert-VOW-Stavanger-2432.docx\">Avslutningskonsert VOW Stavanger 24.6.2021<\/a><\/li>\n<\/ul>\n<h3>RESCAPES<\/h3>\n<ul>\n<li><a href=\"https:\/\/uit.no\/tavla\/artikkel\/829197\/voices_of_women_in_the_arctic_and_beyond_hva_vil\">Voices of Women in the Arctic and beyond: Hva ville Woldstad, Ritter og Fabricius snakket om?<\/a>, Troms\u00f8 21\/11\/2023<\/li>\n<li>Indian Summer in Groningen (Betsy Bakker-Nort meets Betsy Dornay-Culp and Jenny Altman-Fleischer), Groningen, 01\/12\/2022<\/li>\n<li>Autumn Talk at the Captain\u2019s table \u2013 Excerpts from a Dramatic Assemblage (Betsy Bakker-Nort meets Kirsten Helliesen Iversen ), Stavanger, 23\/06\/2022<\/li>\n<\/ul>\n<h3>Workshops<\/h3>\n<ul>\n<li>Creating a concert program, RESCAPE, Groningen, 01\/12\/2022<\/li>\n<li>Writing a letter to my future self, RESCAPE, Stavanger, 23\/06\/2022<\/li>\n<\/ul>\n<h3>Lectures<\/h3>\n<div>\n<ul>\n<li>Meling, Lise Karin<em>: <\/em>Decolonizing Higher Education: Rationales and Implementations from the Subject of Music History, 22.11.2023, UiT The Arctic University of Norway<\/li>\n<li>McGee, Kristin: Women and Gender Expansive Jazz Artists find their Voice in Digital Platforms, 22.11.2023, UiT The Arctic University of Norway<\/li>\n<li>Broomans, Petra: A meta-historical reading of Pauline Viardot&#8217;s image in Orland Figes&#8217; <i>The Europeans: three lives and the making of a cosmopolitan culture<\/i> (2019), 22.11.2023, UiT The Arctic University of Norway<\/li>\n<li>Mittner, Lilli &amp; Maren Bagge: How (and why) to find unknown repertoire?, 22.11.2023, UiT The Arctic University of Norway<\/li>\n<li>Meling, Lise Karin<em>: <\/em>Students as Agents of Change: Explorative Perspectives in the transmitting of Histories of Music, Konferansen MiU 2023 &#8211; Utfordringer og muligheter innen musikk og utdanning, 26.-27. oktober 2023, Dronning Mauds Minne H\u00f8gskolen, Trondheim<\/li>\n<li><span style=\"font-size: 1rem\">Haselmann, Lena: \u201eVon bei\u00dfender K\u00e4lte, Berliner Kompositionen und \u201eblondem\u201c Klavierspiel\u201c\u00a0Liedschaffen norwegischer Komponistinnen im 19. Jahrhundert.\u00a0 XXXII. Jahreskongress des Bundesverband deutscher Gesangsp\u00e4dagogen, 30. April 2022 Hochschule Osnabr\u00fcck, Institut f\u00fcr Musik<\/span><\/li>\n<\/ul>\n<\/div>\n<h3>Outreach<\/h3>\n<div class=\"csl-bib-body\">\n<ul>\n<li>Eidum Espen. 2023. <a href=\"https:\/\/uit.no\/nyheter\/artikkel\/kortnytt?p_document_id=829938\">Festival i Troms\u00f8 vil l\u00f8fte fram musikk komponert av kvinner<\/a>, UiT Nyheyter; translated by Kate Maxwell <a href=\"https:\/\/en.uit.no\/nyheter\/artikkel\/kortnytt?p_document_id=830418\">Troms\u00f8 festival to promote music composed by women<\/a><\/li>\n<li>Tran, Ly. 2023. &#8220;Voices of Women&#8221;, AEC Congress and General Assembly 2023, Den Haag, Saturday Nov 11, 2023<\/li>\n<li class=\"csl-entry\">Apostol, Cristian. 2022. \u201cGiving Women in Music a Voice: \u2018There\u2019s a Hierarchy That You Always Feel.\u2019\u201d <i>UKrant.Nl<\/i> (blog). December 6, 2022. <a href=\"https:\/\/ukrant.nl\/giving-women-in-music-a-voice-theres-a-hierarchy-that-you-always-feel\/?lang=en\">https:\/\/ukrant.nl\/giving-women-in-music-a-voice-theres-a-hierarchy-that-you-always-feel\/?lang=en<\/a>.<\/li>\n<li>Koltof, Patriecia. 2022. &#8220;<a href=\"https:\/\/site.uit.no\/vow\/wp-content\/uploads\/sites\/481\/2023\/01\/Dagblad-van-het-Noorden.pdf\">Wandelconcert moet vrouwen stem geven<\/a>&#8221; Dagblad van het Noorden tirsdag 29. november 2022<\/li>\n<li>\n<div class=\"csl-bib-body\">\n<div class=\"csl-entry\">Moe, T. H. (2022). <i>Listening to voices of women. Art songs composed by women will finally have their fair share of attention in a new project.<\/i> <a href=\"https:\/\/uit.no\/nyheter\/artikkel\/kortnytt?p_document_id=775017\">https:\/\/uit.no\/nyheter\/artikkel\/kortnytt?p_document_id=775017<\/a><\/div>\n<\/div>\n<\/li>\n<\/ul>\n<\/div>\n<div><\/div>\n<h3>Publications<\/h3>\n<div class=\"csl-bib-body\">\n<div class=\"csl-bib-body\">\n<div class=\"csl-entry\">\n<div class=\"csl-bib-body\">\n<div>\n<ul>\n<li>Leidinger, Nora and Kristin McGee. 2023. \u00a0&#8220;Breaking Boundaries in\u00a0Festival\u00a0Programming: Gendered and Cultural Transformations at the JazzFest Berlin.\u201d Special issue of <em>Popular Music History 15.2<\/em>.<\/li>\n<li>McGee, Kristin and Nora Leidinger. 2023. \u201cDisassembling the Gendered Archetype of the Male Jazz Impresario in the United States.\u201d Special issue of <em>Popular Music History<\/em>. 15.2.<\/li>\n<\/ul>\n<\/div>\n<ul>\n<li class=\"csl-entry\">Meling, L. K., Fadnes, P. F. &amp; Mittner, L. (2023). Decolonizing Higher Education: Rationales and Implementations from the Subject of Music History. In O. B. \u00d8ien, S. S. Kolaas, M. F. Duch &amp; E. Angelo (Eds.), MusPed:Research: Vol. 6. Explorative Perspectives in Music and Education (Chap. 8, pp. 171\u2013198). Cappelen Damm Akademisk. <a title=\"https:\/\/doi.org\/10.23865\/noasp.200.ch8\" href=\"https:\/\/doi.org\/10.23865\/noasp.200.ch8\">https:\/\/doi.org\/10.23865\/noasp.200.ch8<\/a><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<ul>\n<li class=\"csl-entry\">\n<div class=\"csl-bib-body\">\n<div class=\"csl-entry\">Mittner, L., Meling, L. K., &amp; Maxwell, K. (2023). Arts-based pathways for sustainable transformation towards a more equal world. <i>Nordic Journal of Art &amp; Research<\/i>, <i>12<\/i>(2), Article 2. <a href=\"https:\/\/doi.org\/10.7577\/ar.5159\">https:\/\/doi.org\/10.7577\/ar.5159<\/a><\/div>\n<\/div>\n<\/li>\n<li>Maxwell, K., &amp; Eskeland, J. (in print). Practising what we preach: Elise Hall and a more diverse saxophone performance curriculum. In K. Bertels &amp; A. Honnold (Eds.), <i>Contemporary Perspectives on the Legacy of Elise Hall (1853\u20131924)<\/i><\/li>\n<\/ul>\n<ul>\n<li class=\"csl-entry\"><span style=\"font-size: 1rem\">Mittner, Lilli, Lise Meling, Janke Klok, and Bettina Smith. 2022. \u201cKnowledge Base for the ERASMUS+ Project Voices of Women (VOW).\u201d <\/span><i style=\"font-size: 1rem\">Septentrio Reports<\/i><span style=\"font-size: 1rem\">, no. 1 (November). <\/span><a style=\"font-size: 1rem\" href=\"https:\/\/doi.org\/10.7557\/7.6569\">https:\/\/doi.org\/10.7557\/7.6569<\/a><\/li>\n<\/ul>\n<ul>\n<li>McGee, Kristn. 2022. \u201cGendered Interventions in European Jazz Festival Programming: Keychanges, Stars, and Alternative Networks.\u201d In J. Reddan, M. Herzig, and M. Kahr (eds.), <em>Routledge Companion to Jazz and Gender<\/em> Routledge.<\/li>\n<\/ul>\n<ul>\n<li>\n<div class=\"csl-bib-body\">\n<div class=\"csl-entry\">\n<div class=\"csl-bib-body\">\n<div class=\"csl-entry\">Maxwell, K., &amp; Fosse Hansen, S. (2022). Decolonizing Music History in Scandinavia: Reflections from the Chalkface\u2019. Special issue European Music Analysis and the Politics of Identity. <i>Danish Musicology Online<\/i>, 107\u2013114.<a href=\"https:\/\/www.danishmusicologyonline.dk\/arkiv\/arkiv_dmo\/dmo_saernummer_2022\/dmo_saernummer_2022_european_music_analysis_06.pdf\"> https:\/\/www.danishmusicologyonline.dk\/arkiv\/arkiv_dmo\/dmo_saernummer_2022\/dmo_saernummer_2022_european_music_analysis_06.pdf<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/li>\n<\/ul>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Conferences and Multiplier events Voices of Women: Listening to the unknown, UiT The Arctic University of Norway,\u00a0 Troms\u00f8 19-25 nov. 2023 Voices of Women. International Conference. Komponistinnen in Geschichte und Gegenwart, Weimar (20-24 June 2023):\u00a0 Voices of Women: Materialities, Cultural Transfer and Musical Authorship, December 1st and 2nd, 2022 University of Groningen, and the Prince &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/site.uit.no\/vow\/output-2\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;&#8221;<\/span><\/a><\/p>\n","protected":false},"author":746,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-125","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/site.uit.no\/vow\/wp-json\/wp\/v2\/pages\/125","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/site.uit.no\/vow\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/site.uit.no\/vow\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/site.uit.no\/vow\/wp-json\/wp\/v2\/users\/746"}],"replies":[{"embeddable":true,"href":"https:\/\/site.uit.no\/vow\/wp-json\/wp\/v2\/comments?post=125"}],"version-history":[{"count":3,"href":"https:\/\/site.uit.no\/vow\/wp-json\/wp\/v2\/pages\/125\/revisions"}],"predecessor-version":[{"id":407,"href":"https:\/\/site.uit.no\/vow\/wp-json\/wp\/v2\/pages\/125\/revisions\/407"}],"wp:attachment":[{"href":"https:\/\/site.uit.no\/vow\/wp-json\/wp\/v2\/media?parent=125"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}