{"id":31,"date":"2022-01-27T19:18:18","date_gmt":"2022-01-27T19:18:18","guid":{"rendered":"https:\/\/site.uit.no\/vow\/?page_id=31"},"modified":"2023-06-19T09:31:30","modified_gmt":"2023-06-19T09:31:30","slug":"resources-and-media","status":"publish","type":"page","link":"https:\/\/site.uit.no\/vow\/resources-and-media\/","title":{"rendered":""},"content":{"rendered":"<h3><\/h3>\n<h3>Conferences<\/h3>\n<ul>\n<li><a href=\"http:\/\/musikk-musik.de\/Projektbeschreibung_e.html\">Musikk-musik, Space for possabilities of Women Composers in Norway,<\/a> 2011<\/li>\n<li><a href=\"https:\/\/site.uit.no\/mgb-conference\/\">Music &amp; Gender in Balance,<\/a> 2018<\/li>\n<\/ul>\n<h3>Scores<\/h3>\n<div class=\"csl-bib-body\">\n<ul>\n<li class=\"csl-entry\"><i>G\u00f6mda skatter s\u00e5nger av kvinnor fr\u00e5n fem sekler<\/i>. Evterpe. 2010<\/li>\n<\/ul>\n<\/div>\n<h3>Playlist<\/h3>\n<ul>\n<li>\n<div class=\"csl-bib-body\">\n<div class=\"csl-entry\">\n<div class=\"csl-bib-body\">\n<div class=\"csl-entry\">Smith, B., &amp; Nelleke, J. W. (2021). <i>The artist\u2019s secret<\/i>. LAWO Classics. <a href=\"https:\/\/lawostore.no\/cd\/the-artist39s-secret-21066\">https:\/\/lawostore.no\/cd\/the-artist39s-secret-21066<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/li>\n<li>\u00a0Haselmann, L., Klok, J. &amp; Mittner, L. (2017). <i>Rastlose Lieder. Signe Lund &#8211; Mon Schjelderup &#8211; Agathe Backer Gr\u00f8ndahl. Lieder, Klavier- und Kammermusikwerke norwegischer Komponistinnen. CD<\/i>. betont Label der Universit\u00e4t der K\u00fcnste Berlin<\/li>\n<li>Podcast: Nooit van gehorrd. https:\/\/www.nporadio4.nl\/podcasts\/nooit-van-gehoord<\/li>\n<li>R\u00f8nning, C., &amp; Waagard, I. A. (2016). <em>Glemte romancer: Norske kvinnelige komponister<\/em>. Grong musikkproduksjon.<\/li>\n<li>\n<div class=\"csl-bib-body\">\n<div class=\"csl-entry\">\n<div class=\"csl-bib-body\">\n<div class=\"csl-entry\">Smith, B., &amp; R\u00f6ttingen, E. (2014). <i>Voices of Women<\/i>. Lawo Classics. <a href=\"https:\/\/www.challengerecords.com\/products\/1416240697\/voices-of-women\">https:\/\/www.challengerecords.com\/products\/1416240697\/voices-of-women<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/li>\n<\/ul>\n<h3>Watchlist<\/h3>\n<ul>\n<li>\n<div class=\"csl-bib-body\">\n<div class=\"csl-entry\">Mittner, L., &amp; Bergli, T. (2018). <i>Music and Gender in Balance Film<\/i>. Gender Balance in Art Education Project \/ RESULT at UiT The Arctic University of Norway. <a href=\"https:\/\/www.youtube.com\/watch?v=fNBwkiAvOGc\">https:\/\/www.youtube.com\/watch?v=fNBwkiAvOGc<\/a><\/div>\n<\/div>\n<\/li>\n<\/ul>\n<h3>Databaser<\/h3>\n<ul>\n<li>Hambro, Camilla: <a href=\"https:\/\/users.abo.fi\/chambro\/Konserter\/index.html\">Agathe Backer Gr\u00f8ndahls konserter 1867\u20131903<\/a><\/li>\n<\/ul>\n<h3>Linklist<\/h3>\n<ul>\n<li>KVAST\u00a0<a href=\"https:\/\/eng.kvast.org\/\">https:\/\/eng.kvast.org\/<\/a><\/li>\n<li>RESCAPE <a href=\"https:\/\/site.uit.no\/rescape\/\">https:\/\/site.uit.no\/rescape\/<\/a><\/li>\n<li>KEYCHANGE <a href=\"https:\/\/www.keychange.eu\/\">https:\/\/www.keychange.eu\/<\/a><\/li>\n<li>MUGI <a href=\"https:\/\/mugi.hfmt-hamburg.de\/content\/index.xml\">https:\/\/mugi.hfmt-hamburg.de\/content\/index.xml<\/a><\/li>\n<li>BALANSEKUNST\u00a0<a href=\"https:\/\/www.balansekunstprosjektet.no\/english\">https:\/\/www.balansekunstprosjektet.no\/english<\/a><\/li>\n<li>KIEM <a href=\"https:\/\/www.gendermusicindustry.net\/index.php\/about-kiem\/\">https:\/\/www.gendermusicindustry.net\/index.php\/about-kiem\/<\/a><\/li>\n<\/ul>\n<h3>Readings<\/h3>\n<h4><strong>Dutch<\/strong><\/h4>\n<ul>\n<li>Boumans, Toni 2015. <em>Een schitterend vergeten leven. De eeuw van Frieda Belinfante<\/em>, Amsterdam, Uitgeverij Balans, 375 pp.<\/li>\n<li>Metzelaar, Helen (ed.), 1991. <em>Zes vrouwelijke componisten<\/em>. Amsterdam\/Zutphen, Centrum Nederlandse Muziek \/ Walburg Pers, 256 pp.<\/li>\n<li>Metzelaar, Helen. 2001. \u201cDe Positie van Componerende En Musicerende Vrouwen in de Negentiende Eeuw.\u201d In <em>Een Muziekgeschiedenis Der Nederlanden<\/em>, 448\u201354. Amsterdam: Amsterdam University Press Salom\u00e9.<\/li>\n<li>Metzelaar, Helen, 2002, <em>Zonder muziek is het leven onnodig. Henri\u00ebtte Bosmans 1895-1952<\/em>. Zutphen, Walburg Pers<\/li>\n<li>Metzelaar, Helen. 2002. \u201cWhat Happened to Women Composers in Dutch Music History?\u201d <em>Canadian Journal of Netherlandic Studies\/Revue Canadienne d\u2019\u00e9tudes N\u00e9erlandaises<\/em> 23 (1): 1\u201310. http:\/\/search.ebscohost.com.proxy-ub.rug.nl\/login.aspx?direct=true&amp;db=ram&amp;AN=A478864&amp;site=ehost-live&amp;scope=site.<\/li>\n<li>Metzelaar, Helen. 2004. \u201cWomen and \u2018Kraakgeluiden\u2019: The Participation of Women Improvisers in the Dutch Electronic Scene.\u201d <em>Organised Sound: An International Journal of Music Technology<\/em> 9 (2): 199\u2013206. http:\/\/search.ebscohost.com.proxy-ub.rug.nl\/login.aspx?direct=true&amp;db=ram&amp;AN=A314200&amp;site=ehost-live&amp;scope=site.<\/li>\n<\/ul>\n<h4><strong>German<\/strong><\/h4>\n<ul>\n<li>Borchard, B. (2010). Les-Arten oder: Wie ver\u00e4ndert die Gender-Perspektive die Interpretation von Quellen? In R. Grotjahn &amp; S. Vogt (Eds.), <i>Musik und Gender. Grundlagen\u2014Methoden\u2014Perspektiven<\/i> (pp. 43\u201356). Laaber-Verlag.<\/li>\n<li>Haselmann, L., Klok, J., &amp; Mittner, L. (2019). <i>\u00bbDat soll auch nicht jehen, dat soll fahren&#8230;\u00ab\u202fNorwegische K\u00fcnstlerinnen in Berlin<\/i> (Vol. 25). Nordeuropa-Institut der Humboldt-Universit\u00e4t.<\/li>\n<li class=\"csl-entry\">Lena Haselmann. (2018). <i>Agathe Backer Gr\u00f8ndahl \u2013 von Norwegen nach Berlin. Professionelle Musikausbildung im 19. Jahrhundert<\/i>. Waxmann Verlag.<\/li>\n<li class=\"csl-entry\"><span style=\"font-size: 1rem\">Hoffmann, F. (1991). <\/span><i style=\"font-size: 1rem\">Instrument und K\u00f6rper. Die musizierende Frau in der b\u00fcrgerlichen Kultur<\/i><span style=\"font-size: 1rem\"> (1st ed.). Insel Verlag.<\/span><\/li>\n<li>\n<div class=\"csl-bib-body\">\n<div class=\"csl-entry\">Kreutziger-Herr, A., &amp; Losleben, K. (Eds.). (2009). <i>History \/ Herstory: Alternative Musikgeschichten<\/i>. B\u00f6hlau.<\/div>\n<\/div>\n<\/li>\n<li class=\"csl-entry\">Mittner, L. (2016). <i>M\u00f6glichkeitsr\u00e4ume: Studien zum kulturellen Handeln komponierender Frauen des 19. Jahrhunderts in Norwegen<\/i> (1. Auflage). Wehrhahn Verlag<\/li>\n<\/ul>\n<h4><strong>English<\/strong><\/h4>\n<ul>\n<li>Berkers, Pauwke. 2012. \u201cRock against Gender Roles: Performing Femininities and Doing Feminism among Women Punk Performers in the Netherlands, 1976\u20131982.\u201d <em>Journal of Popular Music Studies<\/em> 24 (2): 155\u201375.<\/li>\n<li>McGee, Kristin. 2022. \u201cGendered Interventions in European Jazz Festival Programming: Keychanges, Stars, and Alternative Networks.\u201d In J. Reddan, M. Herzig, and M. Kahr (eds.), <em>Routledge Companion to Jazz and Gender<\/em> (Routledge, In Press).\u00a0 2022.<\/li>\n<li>McGee, Kristin. 2013. \u201cPromoting Affect and Desire in the International World of Smooth Jazz\u201d in <em>Jazz Perspectives<\/em> 7\/3: 251-286.<\/li>\n<li>McGee, Kristin. 2018. \u201cStraight to Baby: Scoring Female Jazz Agency and New Masculinity in Henry Mancini\u2019s Peter Gunn.\u201d In H. Pettey (ed.) <em>Cold War Film Genres<\/em>, Traditions in American Cinema Series. Edinburgh University Press.<\/li>\n<li>McGee, Kristin. 2013. \u201cCollectivities, Cosmopolitanisms and Mixed-Mediations in Amsterdam\u2019s Crossover Jazz Scene\u201d in F. Holt and C. Wergin (eds.) <em>Musical Performance and the Changing City: Postindustrial Contexts in Europe and the United States.<\/em> Routledge.<\/li>\n<li>Meling, Lise Karin. 2021. \u00abMaria Hester Park and her Subscribers\u00bb. <em>Music by Subscription: Composers and their Networks in the British Music-Publishing Trade 1676-1820<\/em>, red. Simon D.I. Fleming og Martin Perkins. Routledge. Kap. 4, s. 57-72.<\/li>\n<li>Meling, Lise Karin. 2019. \u00ab\u2018The lady at the piano\u2019: from innocent pastime to intimate discourse\u00bb. <em>Music &amp; Practice, Performance Studies Network,<\/em> 5: \u00abViewing Legacy through Novel Lenses\u00bb, Norges Musikkh\u00f8gskole, Jeremy Cox, ed.\u00a0 <a href=\"https:\/\/www.musicandpractice.org\/k5rcw04lgb\/\">https:\/\/www.musicandpractice.org\/k5rcw04lgb\/<\/a><\/li>\n<li>Meling, Lise Karin. 2018. \u00abWomen and pianos in 19th-century art and literature\u00bb. <em>Conference of the International Journal of Arts and Sciences<\/em>, vol. 11(2), s. 25-34.<\/li>\n<li>Meling, Lise Karin. 2017. \u00abPiano for girls and trumpet for boys: are musical instruments gender-divided?\u00bb <em>Conference of the International Journal of Arts and Sciences<\/em>, vol. 10 (3), s. 155-162.<\/li>\n<li>Mittner, L. (2018). \u201cStudents can have a really powerful role\u2026\u201d. Understanding Curriculum Transformation Within the Framework of Canon Critique and Critical Pedagogy. <i>Journal for Research in Arts and Sports Education<\/i>, <i>2<\/i>(2). <a href=\"https:\/\/doi.org\/10.23865\/jased.v2.928\">https:\/\/doi.org\/10.23865\/jased.v2.928<\/a><\/li>\n<li>Mittner, L., Haselmann, L., &amp; Klok, J. (2020). <i>RESCAPE Manifesto<\/i>. <a href=\"https:\/\/site.uit.no\/rescape\/manifesto\/\">https:\/\/site.uit.no\/rescape\/manifesto\/<\/a><\/li>\n<li>Mittner, L., &amp; Blix, H. S. (2021). Career Paths in Higher Music Education: Challenges for Gender Equality in the Arts. In S. V. Onsrud, H. S. Blix, &amp; I. Lunde Vestad (Eds.), <i>Gender Issues in Scandinavian Music Education From Stereotypes to Multiple Possibilities<\/i> (pp. 180\u2013196). Routledge. <a href=\"https:\/\/doi.org\/10.4324\/9781003038207-9\">https:\/\/doi.org\/10.4324\/9781003038207-9<\/a><\/li>\n<\/ul>\n<h4><strong>Norwegian<\/strong><\/h4>\n<ul>\n<li>Blix, H., &amp; Mittner, L. (2019). <i>Kj\u00f8nn og skj\u00f8nn i kunstfagene: Et balanseprosjekt<\/i>. UiT Norges arktiske universitet, Musikkonservatoriet. <a href=\"https:\/\/munin.uit.no\/bitstream\/handle\/10037\/16593\/article.pdf?sequence=3&amp;isAllowed=y\">https:\/\/munin.uit.no\/bitstream\/handle\/10037\/16593\/article.pdf?sequence=3&amp;isAllowed=y<\/a><\/li>\n<li>Kvalbein, A., &amp; Lorentzen, A. (2008). <i>Musikk og kj\u00f8nn\u2014I utakt?<\/i> Norsk Kulturr\u00e5d. <a href=\"https:\/\/www.kulturradet.no\/vis-publikasjon\/-\/publikasjon-musikk-og-kjonn-i-utakt\">https:\/\/www.kulturradet.no\/vis-publikasjon\/-\/publikasjon-musikk-og-kjonn-i-utakt<\/a><\/li>\n<li>Meling, Lise Karin. 2021. \u00abFra \u201cfruentimmernettheter\u201d til kvinnelig selvstendiggj\u00f8ring: Den akkompagnerte klaversonaten i England p\u00e5 slutten av 1700-tallet.\u00bb <em>Musikk &amp; Historie<\/em> #4, s. 14-25.<\/li>\n<li>Meling, Lise Karin. 2019 \u00ab\u2018Jubel og Kj\u00e6rlighed, Fortvivlelse og Vanvid, Alt laa i dette tonende V\u00e6ld\u2019: Kvinnenes pianomusisering i norsk skj\u00f8nnlitteratur 1850\u20131900\u00bb. <em>Studia Musicologica Norvegica<\/em>.\u00a0<a href=\"https:\/\/doi.org\/10.18261\/issn.1504-2960-2019-01-05\">https:\/\/doi.org\/10.18261\/issn.1504-2960-2019-01-05<\/a><\/li>\n<li>Landmark, I. L. (2022). Hildur Schirmer (1856\u20131914): Sanger og kvinnesakskvinne. <i style=\"font-size: 1rem\">Studia Musicologica Norvegica<\/i><span style=\"font-size: 1rem\">, <\/span><i style=\"font-size: 1rem\">48<\/i><span style=\"font-size: 1rem\">(1), 57\u201377. <\/span><a style=\"font-size: 1rem\" href=\"https:\/\/doi.org\/10.18261\/smn.48.1.6\">https:\/\/doi.org\/10.18261\/smn.48.1.6<\/a><\/li>\n<li><span style=\"font-size: 1rem\">Hambro, C. (2008). <\/span><i style=\"font-size: 1rem\">Det ulmer under overflaten: Agathe Backer Gr\u00f8ndahl (1847-1907), genus, sjanger og norskhet [Es brodelt unter der Oberfl\u00e4che: Agathe Backer Gr\u00f8ndahl (1847-1907), Genus, Gattung, Norwegertum] [What smoulders beneath the surface. Agathe Backer Gr\u00f8ndahl (1847\u20131907), gender, genre and Norwegianness]<\/i><span style=\"font-size: 1rem\">. G\u00f6teborgs Universitet.<\/span><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Conferences Musikk-musik, Space for possabilities of Women Composers in Norway, 2011 Music &amp; Gender in Balance, 2018 Scores G\u00f6mda skatter s\u00e5nger av kvinnor fr\u00e5n fem sekler. Evterpe. 2010 Playlist Smith, B., &amp; Nelleke, J. W. (2021). The artist\u2019s secret. LAWO Classics. https:\/\/lawostore.no\/cd\/the-artist39s-secret-21066 \u00a0Haselmann, L., Klok, J. &amp; Mittner, L. (2017). Rastlose Lieder. Signe Lund &#8211; &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/site.uit.no\/vow\/resources-and-media\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;&#8221;<\/span><\/a><\/p>\n","protected":false},"author":746,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-31","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/site.uit.no\/vow\/wp-json\/wp\/v2\/pages\/31","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/site.uit.no\/vow\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/site.uit.no\/vow\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/site.uit.no\/vow\/wp-json\/wp\/v2\/users\/746"}],"replies":[{"embeddable":true,"href":"https:\/\/site.uit.no\/vow\/wp-json\/wp\/v2\/comments?post=31"}],"version-history":[{"count":3,"href":"https:\/\/site.uit.no\/vow\/wp-json\/wp\/v2\/pages\/31\/revisions"}],"predecessor-version":[{"id":345,"href":"https:\/\/site.uit.no\/vow\/wp-json\/wp\/v2\/pages\/31\/revisions\/345"}],"wp:attachment":[{"href":"https:\/\/site.uit.no\/vow\/wp-json\/wp\/v2\/media?parent=31"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}