Voices of Women

Conferences

Scores

Gömda skatter sånger av kvinnor från fem sekler. Evterpe. 2010

Playlist

Smith, B., & Nelleke, J. W. (2021). The artist’s secret. LAWO Classics. https://lawostore.no/cd/the-artist39s-secret-21066
Haselmann, L., Klok, J. & Mittner, L. (2017). Rastlose Lieder. Signe Lund – Mon Schjelderup – Agathe Backer Grøndahl. Lieder, Klavier- und Kammermusikwerke norwegischer Komponistinnen. CD. betont Label der Universität der Künste Berlin
Podcast: Nooit van gehorrd. https://www.nporadio4.nl/podcasts/nooit-van-gehoord
Rønning, C., & Waagard, I. A. (2016). Glemte romancer: Norske kvinnelige komponister. Grong musikkproduksjon.
Smith, B., & Röttingen, E. (2014). Voices of Women. Lawo Classics. https://www.challengerecords.com/products/1416240697/voices-of-women

Watchlist

Mittner, L., & Bergli, T. (2018). Music and Gender in Balance Film. Gender Balance in Art Education Project / RESULT at UiT The Arctic University of Norway. https://www.youtube.com/watch?v=fNBwkiAvOGc

Databaser

Hambro, Camilla: Agathe Backer Grøndahls konserter 1867–1903

Linklist

KVAST https://eng.kvast.org/
RESCAPE https://site.uit.no/rescape/
KEYCHANGE https://www.keychange.eu/
MUGI https://mugi.hfmt-hamburg.de/content/index.xml
BALANSEKUNST https://www.balansekunstprosjektet.no/english
KIEM https://www.gendermusicindustry.net/index.php/about-kiem/

Readings

Dutch

Boumans, Toni 2015. Een schitterend vergeten leven. De eeuw van Frieda Belinfante, Amsterdam, Uitgeverij Balans, 375 pp.
Metzelaar, Helen (ed.), 1991. Zes vrouwelijke componisten. Amsterdam/Zutphen, Centrum Nederlandse Muziek / Walburg Pers, 256 pp.
Metzelaar, Helen. 2001. “De Positie van Componerende En Musicerende Vrouwen in de Negentiende Eeuw.” In Een Muziekgeschiedenis Der Nederlanden, 448–54. Amsterdam: Amsterdam University Press Salomé.
Metzelaar, Helen, 2002, Zonder muziek is het leven onnodig. Henriëtte Bosmans 1895-1952. Zutphen, Walburg Pers
Metzelaar, Helen. 2002. “What Happened to Women Composers in Dutch Music History?” Canadian Journal of Netherlandic Studies/Revue Canadienne d’études Néerlandaises 23 (1): 1–10. http://search.ebscohost.com.proxy-ub.rug.nl/login.aspx?direct=true&db=ram&AN=A478864&site=ehost-live&scope=site.
Metzelaar, Helen. 2004. “Women and ‘Kraakgeluiden’: The Participation of Women Improvisers in the Dutch Electronic Scene.” Organised Sound: An International Journal of Music Technology 9 (2): 199–206. http://search.ebscohost.com.proxy-ub.rug.nl/login.aspx?direct=true&db=ram&AN=A314200&site=ehost-live&scope=site.

German

Borchard, B. (2010). Les-Arten oder: Wie verändert die Gender-Perspektive die Interpretation von Quellen? In R. Grotjahn & S. Vogt (Eds.), Musik und Gender. Grundlagen—Methoden—Perspektiven (pp. 43–56). Laaber-Verlag.
Haselmann, L., Klok, J., & Mittner, L. (2019). »Dat soll auch nicht jehen, dat soll fahren…« Norwegische Künstlerinnen in Berlin (Vol. 25). Nordeuropa-Institut der Humboldt-Universität.
Lena Haselmann. (2018). Agathe Backer Grøndahl – von Norwegen nach Berlin. Professionelle Musikausbildung im 19. Jahrhundert. Waxmann Verlag.
Hoffmann, F. (1991). Instrument und Körper. Die musizierende Frau in der bürgerlichen Kultur (1st ed.). Insel Verlag.
Kreutziger-Herr, A., & Losleben, K. (Eds.). (2009). History / Herstory: Alternative Musikgeschichten. Böhlau.
Mittner, L. (2016). Möglichkeitsräume: Studien zum kulturellen Handeln komponierender Frauen des 19. Jahrhunderts in Norwegen (1. Auflage). Wehrhahn Verlag

English

Berkers, Pauwke. 2012. “Rock against Gender Roles: Performing Femininities and Doing Feminism among Women Punk Performers in the Netherlands, 1976–1982.” Journal of Popular Music Studies 24 (2): 155–75.
McGee, Kristin. 2022. “Gendered Interventions in European Jazz Festival Programming: Keychanges, Stars, and Alternative Networks.” In J. Reddan, M. Herzig, and M. Kahr (eds.), Routledge Companion to Jazz and Gender (Routledge, In Press). 2022.
McGee, Kristin. 2013. “Promoting Affect and Desire in the International World of Smooth Jazz” in Jazz Perspectives 7/3: 251-286.
McGee, Kristin. 2018. “Straight to Baby: Scoring Female Jazz Agency and New Masculinity in Henry Mancini’s Peter Gunn.” In H. Pettey (ed.) Cold War Film Genres, Traditions in American Cinema Series. Edinburgh University Press.
McGee, Kristin. 2013. “Collectivities, Cosmopolitanisms and Mixed-Mediations in Amsterdam’s Crossover Jazz Scene” in F. Holt and C. Wergin (eds.) Musical Performance and the Changing City: Postindustrial Contexts in Europe and the United States. Routledge.
Meling, Lise Karin. 2021. «Maria Hester Park and her Subscribers». Music by Subscription: Composers and their Networks in the British Music-Publishing Trade 1676-1820, red. Simon D.I. Fleming og Martin Perkins. Routledge. Kap. 4, s. 57-72.
Meling, Lise Karin. 2019. «‘The lady at the piano’: from innocent pastime to intimate discourse». Music & Practice, Performance Studies Network, 5: «Viewing Legacy through Novel Lenses», Norges Musikkhøgskole, Jeremy Cox, ed. https://www.musicandpractice.org/k5rcw04lgb/
Meling, Lise Karin. 2018. «Women and pianos in 19th-century art and literature». Conference of the International Journal of Arts and Sciences, vol. 11(2), s. 25-34.
Meling, Lise Karin. 2017. «Piano for girls and trumpet for boys: are musical instruments gender-divided?» Conference of the International Journal of Arts and Sciences, vol. 10 (3), s. 155-162.
Mittner, L. (2018). “Students can have a really powerful role…”. Understanding Curriculum Transformation Within the Framework of Canon Critique and Critical Pedagogy. Journal for Research in Arts and Sports Education, 2(2). https://doi.org/10.23865/jased.v2.928
Mittner, L., Haselmann, L., & Klok, J. (2020). RESCAPE Manifesto. https://site.uit.no/rescape/manifesto/
Mittner, L., & Blix, H. S. (2021). Career Paths in Higher Music Education: Challenges for Gender Equality in the Arts. In S. V. Onsrud, H. S. Blix, & I. Lunde Vestad (Eds.), Gender Issues in Scandinavian Music Education From Stereotypes to Multiple Possibilities (pp. 180–196). Routledge. https://doi.org/10.4324/9781003038207-9

Norwegian

Blix, H., & Mittner, L. (2019). Kjønn og skjønn i kunstfagene: Et balanseprosjekt. UiT Norges arktiske universitet, Musikkonservatoriet. https://munin.uit.no/bitstream/handle/10037/16593/article.pdf?sequence=3&isAllowed=y
Kvalbein, A., & Lorentzen, A. (2008). Musikk og kjønn—I utakt? Norsk Kulturråd. https://www.kulturradet.no/vis-publikasjon/-/publikasjon-musikk-og-kjonn-i-utakt
Meling, Lise Karin. 2021. «Fra “fruentimmernettheter” til kvinnelig selvstendiggjøring: Den akkompagnerte klaversonaten i England på slutten av 1700-tallet.» Musikk & Historie #4, s. 14-25.
Meling, Lise Karin. 2019 «‘Jubel og Kjærlighed, Fortvivlelse og Vanvid, Alt laa i dette tonende Væld’: Kvinnenes pianomusisering i norsk skjønnlitteratur 1850–1900». Studia Musicologica Norvegica. https://doi.org/10.18261/issn.1504-2960-2019-01-05
Landmark, I. L. (2022). Hildur Schirmer (1856–1914): Sanger og kvinnesakskvinne. Studia Musicologica Norvegica, 48(1), 57–77. https://doi.org/10.18261/smn.48.1.6
Hambro, C. (2008). Det ulmer under overflaten: Agathe Backer Grøndahl (1847-1907), genus, sjanger og norskhet [Es brodelt unter der Oberfläche: Agathe Backer Grøndahl (1847-1907), Genus, Gattung, Norwegertum] [What smoulders beneath the surface. Agathe Backer Grøndahl (1847–1907), gender, genre and Norwegianness]. Göteborgs Universitet.